Christina as TDB
The women of England’s Yorkshire Moors left to maintain the farms when their men headed off to fight in France in 1917.
The Neon Demon
Christina as TBD
When aspiring model Jesse moves to Los Angeles, her youth and vitality are devoured by a group of beauty-obsessed women who will take any means necessary to get what she has.
Hap and Leonard
Christina as Trudy
The duo fight to stay on the right side of the law in 1980s East Texas.
Christina as Patty Day
A woman who survived the brutal killing of her family as a child is forced to confront the events of that day by a secret society obsessed with solving notorious crimes.
Christina as Celine aka Chair
Historical satire about narcissistic aristocrats and the poor souls in their employ.
Christina as Joan Harris/Joan Holloway
A drama about one of New York's most prestigious ad agencies at the beginning of the 1960s, focusing on one of the firm's most mysterious but extremely talented ad executives, Donald Draper.
Christina as Billy
A single mother is swept into a dark underworld, while her teenage son discovers a road that leads him to a secret underwater town.
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The final episodes of Mad Men weren’t easy for Joan Harris, who endured rampant misogyny at McCann Erickson and an ultimately disappointing romance with wealthy land developer Richard. But they were great for Christina Hendricks, who did some of her best work yet as Joan this year, which should earn her a sixth Emmy nomination for supporting actress in a drama next month.
We caught up with Hendricks over the phone from New Orleans, where she’s currently filming a top-secret project: “I’m not sure if I’m allowed to talk about it yet. It’s one of those!” But she was able to discuss the final episodes of Mad Men, Joan’s decision to leave McCann and strike out on her own, and why she and her Mad Men co-stars are gravitating towards comedy roles now that Sterling Cooper has shut its doors for good.
Joan had a really strong stretch of episodes this year, but for Emmy voting, you have to pick one episode to submit. How do you decide something like that? Do you go back and look at all of them?
I usually don’t. In the past, sometimes I’d ask my manager, or even ask [Mad Men creator] Matt Weiner what they would recommend. Or sometimes you just get a lot of feedback from people. A lot of people will call, and you’ll be like, “Oh, a lot of people seem to have responded to that.” And I’ll choose that.
If I can recommend one from this season: “Lost Horizon,” with that big confrontation between Joan and Jim Hobart. That scene in particular felt like seven seasons’ worth of frustration boiling over for Joan.
I know! It was very cathartic. I love that we wrapped up Joan’s storyline still dealing with some of the same issues that she started with. Because it felt like there was so much growth and so much change… to end up back at the same point, I thought, was very poignant and very well-written, from Matt’s point of view. And so frustrating… you just wanted to punch the TV, and I guess that’s really good, you know? Read the rest of this entry »
Yesterday was a Farewell to Mad Men presented by the Television Academy at The Montalban in Hollywood. We’ve added 54 photos from the event to our gallery.
Unfortunately, we have not warned you about broadcast of the press conference, but we will publish a video as soon as it appears on the network. Stay in touch!
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